Category Archives: Jill Adler’s Personal Blog

Auditions Techniques Class 2

 

We’re reading a handout to kick off the class as people wander in. We are asked to read a graph from the handout and make it sound as if it’s “me” speaking to everyone. Bummer. I’m five minutes late and don’t get to read out loud. I love reading aloud. Ah well.

Again, it’s time to discuss what is Talent. It’s someone who does something better than most. But there’s competency and there’s virtuosity (where you put your individual stamp on it; doing something with your particular style).

But you can’t call yourself talented. It’s got to come from an external source. Someone else has to make that assessment or you’ll sound like an ass.

 

BUILDING CHARACTER- YOURS

Treat everyone with respect. Jerod Hess (Napoleon Dynamite) was a 2nd Ad on Baptist at a BBQ. He made friends with everyone.

 

Skills are techniques that allow you to rise and get better and be in the places where you can be seen. You can’t just play in your backyard. Just like tennis, acting is not a singles’ sport. You need to know what your skills are so audiences can perceive them. Otherwise they don’t exist.

 

Doing community theater? That’s you just being happy to put on a uniform and show up. Know how to do what the job requires. Actors are the biggest dumbasses on the planet. They think they can jump right to the top without developing their craft. Find out what the industry standard is and how to get there. Don’t ignore it because there aren’t that many roles made just for you.

 

 

The zenith of acting is a feature film. Length? 70pp or longer. Size matters. Are you right for the part? Who knows? Let the casting crew make that decision. You just might walk in and change their mind. Maybe you are the ‘wrong’ age or race. But still go for it.

It’s not even the acting that gets you the job. It’s everything else. It’s ‘you’ the human being. Acting is frosting before the cake. Don’t think it’s your acting. Remember the 15 second rule.

 

 

There’s a 90 percent unemployment rate for actors. Yet there are not enough qualified and excellent actors to fill the few jobs out there. Watch television and see. There’s a lot of bad acting going on.

 

TIME TO SHINE

Don’t feel so protective of what you prepare. You are here for them, show it off. fyi- it will never go the way you want it to but casting peeps expect you to not be perfect.

Just make sure that you are communicating the idea behind the words/your choices. Slow down; don’t go too fast.

 

Walk into the room and say to yourself, “I love it here.” This is where I get to do what I love to do. Relish the opportunity to finally get to audition. Don’t think about how you just want to get it over with.

 

When they ask you to talk about yourself, don’t state the obvious- I’m an actor and want to be in your movie. Or I’m really nervous. Or I live in Utah.

They do want you to talk about something commercial. Don’t talk about your kids or your dog (unless of course it’s an audition for a Purina or Toys R Us spot). Talk about your acting work- I just got done with project x, just got back from y. Talk about a movie you’ve seen and that you’re excited about.

 

Don’t try to second guess the director. You can’t answer the question what do they want? Sometimes even they can’t. Maybe you can ask your agent but there are dumb questions in an audition so be careful. If you don’t know what they want going into that room, you’re not supposed to. Or they will tell you.

 

Be prepared for the freak sitch. You walk in and weird stuff can happen- the director might think- you look like my ex-wife so you’ll never get that job.

If they ask you something just answer it. Don’t get into your head and try to analyze why they want to know something. Any conversation the casting director or director tries to have with you is a good thing. Don’t second guess. You can do that after you leave. They don’t waste time. They wouldn’t ask if they didn’t want to talk with you.

 

Don’t lie to get yourself the job! Can you ride a horse? Can you take a punch? Frank got asked that once and he answered, “no, but I fall down really well.” Personally, I’d say I’m willing to learn if I thought it was something I could learn to do well between the audition and the actual gig. I seriously doubt that JLo knew Krav Maga before “Enough” or Ralph Macchio could do that stork thing before “The Karate Kid.” But know your limits. I can learn to ballroom, to sing, to skydive but I ain’t ever going to ride motorcycles.

 

NEVER COME IN AS THE CHARACTER.

 

He CD has a job to do and they have deadlines you don’t have. Actors are usually the last piece of the puzzle. They are not looking for brilliance. Just to do what’s necessary, understand the script, be pleasant and then leave. Walk in thinking “I’m the best actor you’re going to see today” (but don’t say this out loud. Duh. You’ll be an asshole.)

 

Frank is happy most actors screw this up. Makes him look good.

 

3 rules:

Never state the obvious, “My first piece is Hamlet” not “My first piece is scene x from play y and it’s about…” If it’s obvious to you, don’t share it- I’m sorry I haven’t showered. Never offer unsolicited info- like you didn’t shower. Don’t bring in clippings in a book. Don’t make excuses. I’m sorry I have a cold. Speak above the cold.

This is not the time to go down memory lane with the director unless they want to. Don’t talk money (how much is this going to pay, is there a per diem?)

 

WHEN CAN YOU WORK?

Keep your options open. You can do anything, at any time. Say yes until you have to say no. Try not to use words like definitely. Shit happens. Use your agent if something comes up. Let them handle the difficult conversations.

 

WHAT SCREWS WITH YOUR MOJO?

Anxiety review- your greatest source of anxiety?

a-The competition. They’re something, I’m nothing.

b-Did I make the right choice? Fyi- There are no right or wrong choices. Just make one.

c-The slate can cause anxiety. This is the chance to shake hands and say I’m not psycho and I’m well-adjusted. Everything’s fine; hire me. The professional you.

Make sure you rehearse how to breathe and leave a room. Rehearse your slate. Rehearse saying thank you and leave.

 

Journaling outside of class is a way to talk and listen to each other. Sharing. Even if it’s just a few sentences. It helps Frank gauge what you’re getting from the class – his diagnostic.

 

MEMORIZING REVIEW

Read the first line. Read it over and over in monotone until it becomes just sounds. Repeating sounds – fast- till you can’t screw up. Divorce yourself of all choices.

Hold script then head up and deliver to focus.

Go back down and read the next line. Now go back and speak it in first person, honoring the punctuation. Now the sounds become words. There are no Oscars for memorization. Don’t worry about how fast or how you do it.

Once you have the lines down, figure out the given circumstances so you give it substance.

Monologues are one person plays.

Next thing is to say your monologue as you.

Have a relationship and an objective. I.e. want to know where he’s going; telling him he has to marry me, making him feel guilty for empty promises.

Monotone, then speak like you, then have relationship and objective. But you have to know those words so well that you can do anyway. It’s liberating when you don’t have to worry about the words.

You can add a line of subtext just to help yourself (i.e. think about what you really want to say but then say the actual line in place of what you want to say. I.e. instead of saying ‘you’re a piece of shit,’ you say you were leading me on all this time? But you’re THINKING- you’re a piece of shit.

 

We don’t talk about emotions; we deal in ‘subtext’. The ‘e’ thing just happens.

 

Btw, you should be able to memorize five pages of straight dialog in one day. Learn some then walk away and come back.

 

Figure out ‘colors’- how you get from being mad, to on the ground begging and sobbing.

 

11 BEATS TO AN AUDITION

The first 3 beats are usually the most terrifying. You’re outside the door. You know you’re next because you’ve studied who’s ahead of you. You have your resume and headshot in hand. Outside of the door, Boys, check your fly and palms. We don’t want slimy palms in case you’re shaking hands.

Accept that there will be that ‘oh shit’ moment. Breathe and move.

Walk in. Speak to whoever speaks to you. Don’t rush up and hug or shake someone’s hand.

Plan an aesthetic distance for your monologue. Enter the room like a well-adjusted human, make eye contact, and say hi.

Wait for permission to say my name. Stand still.

I’m Jill Adler. I’ll be reading Rosemary from Picnic by William Inge

Or my first piece is … x from y by z, then ‘step out’ (do not start acting where you introduced yourself and your piece)

Move somewhere on the sundial. Lose your focus, breathe, see, and speak. Take your time. As soon as you move, you are the character.

Play diagonal across the eye line of the director. NEVER play to the director or the person that’s auditioning you (unless for some reason they ask you to). Head up and parallel to the floor (eye line). Pick something real to look at.

Think something BEFORE YOU SPEAK- have a thought in your head. Imagine that the person you’re about to talk to just said something to you so you’re responding. Or your partner just got up to leave and you’re wondering why.

Move your body when you’re one third of the way through your monologue.

 

Rehearse your entrance all the time!!

Hi I’m Jill Adler. My piece is…. Lose your focus, step out of the initial space, breathe, look up find focus, think, and then speak.

 

NEXT WEEK

Be off book for the monologue.

 

Type a reflection for the yahoo groups.

MRI NEXT WEEK!!


It’s been two years since my docs at the Huntsman Cancer Center gave me a scoot on the butt and sent me on my merry way. But I come back- every six months. And every six months my reserve is tested. I’m given a mammogram or MRI, then asked to sit in a room. If you’ve never had a cancer scare, the best way to describe this wait is – remember when you went to took your first HIV test and the clinic called to say your results are in but that you had to see them in person? You couldn’t get the news over the phone. That time between the phone call and the chat. That’s what it feels like to have an MRI or Mamm now. Before 2009, a mammogram would have been routine. Like getting a flu shot or blood test. Now there’s always that ‘what if?’ And judging from tales of relapses, the ‘what if?’ never goes away.

I read a post on my FB page today. Longtime Salt Lake City news anchor Mary Nichols was recently diagnosed with early stage breast cancer. I felt like I had to respond personally. When it happened to me I knew NO ONE with cancer. My aunt had died of pancreatic cancer in 2002 so I couldn’t talk to her. My colleague Joni heard through the grapevine and reached out to me. I had no idea. Like me, she showed the cancer card on a need to know basis. It helped to just hang out with her for coffee. We would breeze in and out of the subject but mostly it was nice to sit awhile with someone who knew what I was going through.

So I went on Mary’s blog to write this:

Hi Mary- We don’t really know each other but we have a bunch of mutual friends in the industry. I often forget that I have a breast cancer story. It’s the occasional weird look of concern and the way someone asks “how are you doing” that reminds me; or seeing a post like this on FB.
I’m so sorry to hear that you’ll have to go through what I did. It was quite an excruciating process. As a reporter, I too dug and dug, did all my research, even spoke personally with Doctors outside of Utah. 
I was diagnosed with Stage 1 Breast cancer in 2009, had a lumpectomy and there was no spreading to the lymph nodes (they can’t know until surgery). They say they got it all with surgery but I still went through chemo and radiation based on results from what’s called an oncotypeDX test (developed here in Utah!).
Now, I go in every 6 months for either a mammogram or MRI. So far, still clean. I have my next MRI next week. Anyway, I just want to say that your journey will be personal to you. No matter how hard you search for similarities. So don’t let ANYONE tell you stories of people in their life that have had cancer unless it has a positive outcome. You don’t need it. 
Here is the chronicle of my bout with breast cancer.

Coming Out

If you need someone to talk to, I’m here. I get it.

The Top 5 Regrets

I did not write this article. It’s written by Bronnie Ware, a palliative care worker who has worked with countless numbers of patients at death’s door. He asked them if they had any regrets or anything they would do differently in life and some common themes surfaced.

As we get closer to the 2012 and you’re forced to come up with “resolutions”, I couldn’t help but repost this article to remind you that it’s not too late… until it’s too late.

 The Top 5 Regrets

1. I wish I’d had the courage to live a life true to myself, not the life others expected of me
This was the most common regret of all. When people realize that their life is almost over and look back clearly on it, it is easy to see how many dreams have gone unfulfilled. Most people have had not honored even a half of their dreams and had to die knowing that it was due to choices they had made, or not made.

It is very important to try and honor at least some of your dreams along the way.

From the moment that you lose your health, it is too late. Health brings a freedom very few realize, until they no longer have it.

2. I wish I didn’t work so hard – This came from every male patient that I nursed. They missed their children’s youth and their partner’s companionship.

Women also spoke of this regret. But as most were from an older generation, many of the female patients had not been breadwinners. All of the men I nursed deeply regretted spending so much of their lives on the treadmill of a work existence.
By simplifying your lifestyle and making conscious choices along the way, it is possible to not need the income that you think you do. And by creating more space in your life, you become happier and more open to new opportunities, ones more suited to your new lifestyle.

3. I wish I’d had the courage to express my feelings – Many people suppressed their feelings in order to keep peace with others. Many developed illnesses relating to the bitterness and resentment they carried as a result.

As a result, they settled for a mediocre existence and never became who they were truly capable of becoming.

We cannot control the reactions of others. However, although people may initially react when you change the way you are by speaking honestly, in the end it raises the relationship to a whole new and healthier level. Either that or it releases the unhealthy relationship from your life. Either way, you win.

4. I wish I had stayed in touch with my friends – Often they would not truly realize the full benefits of old friends until their dying weeks and it was not always possible to track them down. Many had become so caught up in their own lives that they had let golden friendships slip by over the years. There were many deep regrets about not giving friendships the time and effort that they deserved. Everyone misses their friends when they are dying.

It is common for anyone in a busy lifestyle to let friendships slip. But when you are faced with your approaching death, the physical details of life fall away. People do want to get their financial affairs in order if possible. But it is not money or status that holds the true importance for them. They want to get things in order more for the benefit of those they love. Usually though, they are too ill and weary to ever manage this task. It all comes down to love and relationships in the end. That is all that remains in the final weeks, love and relationships.

5. I wish that I had let myself be happier
This is a surprisingly common one.

Many did not realize until the end that happiness is a choice.

They had stayed stuck in old patterns and habits. The so-called ‘comfort’ of familiarity overflowed into their emotions, as well as their physical lives. Fear of change had them pretending to others, and to their selves, that they were content. When deep within, they longed to laugh properly and have silliness in their life again.
When you are on your deathbed, what others think of you is a long way from your mind. How wonderful to be able to let go and smile again, long before you are dying.

Life is a choice. It is YOUR life. Choose consciously, choose wisely, choose honestly. Choose happiness.

Can Skiing Be Politically Correct?

politically correct

I did it again. Open mouth, insert foot. Anyone who knows me gets that I’m one of the most un- politically correct people they’ll ever meet. Problem is not as many people know me as are offended by the things that come out of my mouth. It’s a good thing I’m a writer. My fingers are much more diplomatic. So why am I pissed at my lips? I say things – out loud- that most people just think. It’s like professional Tourettes. I love meeting people and getting to know who they are and what they do. Then I say something and I see the moment of disbelief flash on their face. Did she really just say that?

politically correct

I stand up at the Park City Chamber Fall Ski Industry luncheon today in front of the panel of resort managers who are happy to paint a rosy picture of the ski industry and pat themselves on the back; and I say- “Several times the speakers have brought up that Utah needs to grow our season pass sales. Yet while places like Colorado and California are lowering their pass prices and creating multi-resort passes at bargain rates, Utah continues to increase theirs. What can Utah do to attract more passholders?”* I knew as soon as the words spilled from my mouth I had entered enemy waters. NSAA President Michael Berry shuts me down- “We don’t talk about pricing here. That’s a trade secret. It’s a complex process and we can just say that a lot goes into price structure.” The panel falls in line. Jamie Pentz, the publisher of Mountain Magazine who came to town for the event and to meet with advertisers (i.e. his panel peers) defends Utah’s practice- “The people in the Front Range (of Colorado) and the Sierras don’t play well together. They’ve created a dog-eat-dog world because they’re competing for skiers in the Bay Area and Denver. I can tell you that guests from Texas aren’t having the best experience at Vail with the extra 5000 skiers on the mountain. Utah resorts are all friends. They do play well.”

I’m sure if I wasn’t rubbing my butt from the spanking I might have uttered something about anti-trust and collusion. Good thing my tongue had gone limp. Pentz adds that Steamboat’s pass is $1200. As if to say it’s ok to have high pass prices. What he didn’t add was that for an extra $75 you also get unlimited skiing at Winter Park. Canyons’ Mike Gore adds something about value not necessarily being linked to cheap tickets and they move on. My question left unanswered. In fact, one guy passing me leans in and says, “Way to dodge the question, huh?” And I feel slightly validated. I wasn’t imagining things.

After the panel is released, I stand up and mingle. PCMR’s Krista Parry turns and hugs me. Says I look great. She reminds me that her hill actually IS doing something to encourage locals to ski. Not only did they create the STARTNOW program, but they added a tiered season pass to alleviate the sticker shock of going from paying $125 to learn to ski to plopping down $1500 for a pass. “We want to keep those people coming back,” she said. Yep, PCMR currently has the cheapest full season pass on the Wasatch Front at $825. Do I leave it there? Things are good, cut my losses. No. Referring to the unanswered emails I have sent her in the past two weeks because she wanted to get together, I then say, “You never call me back.” “I was gone all week,” she says. “But you never call me back,” I say with a lilt, now referring to countless other times over the years. “I do,” she says. And I reply, wait for it…….”Only when there’s a story involved.” SHIT. There it is again. Did I really just say that out loud? My Tourettes is not winning fans. There’s an awkward moment and then we have plans for breakfast next week. “You’ll call me to set a date?” I ask. “I will, I promise,” she says. I slither away.

I did have the opportunity to shake Mr. Pentz’ hand and engage him in a one-on-one chat. At first I wasn’t going to chance it. Seeing as how I had already muddied the water. But what the hell. My disease knows no bounds. We discuss how Salt Lake City is a much different animal from Denver or the Bay Area. Those people ski. Utahns don’t; at least not en mass. He nods in agreement. Maybe I’m not so obnoxious after all. While those Colorado Front Range resorts compete for Denver skiers, no one here really competes for Salt Lake skiers. They should. Utah locals take a backseat to destination guests. Earlier in the lunch they brought up that Utah is in the middle of the pack when it comes to overall skier visits across the country. Some asked how Utah could move up in the rankings. Berry said that in order to get people so amped about a destination that they tell all their friends and come back regularly, the community has to be behind it. Utah needs to support skiing. Skiing needs to support Utah.

What happens when the weather’s bad, the economy tanks, flights are grounded? It’s the locals that will keep ski areas alive. The Ski Utah 5th and 6th Grade Passport program is an ok start – especially when out-of-towners can also take advantage of it- but who has to take the kids to the mountain? Moms and dads. Skiing is a family sport yet there are no deals for the rest of the family. Guess what? Mom just may decide that gas, time and a full-price adult ticket outweigh that free pass for Junior. Pentz is starting to see my point(s).

We talk about his publication. Mountain started three years ago. “I saw the direction Bonnier was taking SKI and Skiing and didn’t want any part of it,” he explains. “How could I go to advertisers and ask them to pay more for less?” And now I interject, “So how is your publication different from SKI?” Yikes! Really? I asked that? Pentz is insulted. I should already know the answer, of course. He rolls his eyes and humors me with an explanation but I have now become irrelevant. “We have a voice they don’t. They can’t touch what we do. For one thing, we don’t teach. There’s no instruction in our publication. We thought we’d appeal to destination travelers but we sell through 90 percent of our issues at Whole Foods. Locals are reading us too. ” Gotcha. It was nice meeting you, I’d love to write for your magazine, do you have a card on you? I conclude and quickly exit.

As I sat in my car in the Chateaux Parking garage, I dropped my head on the steering wheel. You would think that after all these years, after all this time swooning around the ski industry, I would figure out this tact thing. I guess it is getting a little better, I thought as I revved the engine. A person next to me this morning smelled like a brewery but I didn’t say a word; I thought quite a few but they never escaped my head. I haven’t given up hope that one day I will control my Tourettes completely. For today, I take heart in the little triumphs.

*For example, you get unlimited skiing at Squaw Valley and Alpine Meadows combined for $799 while Deer Valley’s season pass is more than $2k this year.

Can Anyone Relate?

How do you accept death? Life, that’s easy. You look forward to seeds sprouting, grass turning green, a new baby’s wail. But how do you face death without this huge ache and dread in your gut? Maybe it’s different when you’re the one about to go – after you’ve lived 90 years. But I’m telling you now, I’m scared of the pain and unending sorrow that will meet me when a parent dies. No matter how angry and awful parts of my childhood are remembered to be, my mom and dad are my best friends. I call them every other day just to chat and catch up. They get on my case for choices I’ve made, I hang up on them, we chuckle, we plan visits. Who will I call ‘just to call?’ Who will make me feel that no matter what I do, who I do, how I feel, where I am, I have someone I can count on, someone who has my back, someone who still loves me? Only parents do that. They may pull the silent treatment or hold a grudge but in the end the wall comes down. Without them, I’m alone. I’m raw. I’m unprotected. Left to make decisions without their voice in my head; no one to try to make proud of me.

When I was diagnosed with cancer, my parents cancelled their trip to Europe, got in a car and drove 12 hours to the hospital to be there for my surgery 10 days later. They would have been here immediately but I made them wait. No one else but a parent does that for you without asking. They just know it’s what you need.

I want to scream, “Don’t die! You can’t die! Live forever, please?!” But I can’t because it wouldn’t do any good.

My dad’s cousin died last night. I called Dad to see how he was doing. He sounded just like he always does. Upbeat, sarcastic, active. He told me they’re waiting for a guy to show up to measure the backyard for a putting green. Then he said, “and then there were two.” Referring to the fact that only he and his cousin Joseph were the last of his line (ignoring of course that both of them have children and grandchildren). He’s not thinking legacy. He’s thinking time left. Me too. I wish I could pick his brain about death, dying, life, how he sees those, how he faces them, what he wants in the end and what he dreams about. But I can’t. Not because he doesn’t want to talk about it but because I’d be reduced to a blubbering mess. I don’t want them to think they have to do something to make me feel better. We have nothing to resolve, no words left unsaid. But maybe I feel like that kind of conversation could be closure in the future; something to look back on and smile warmly inside? But I’m not strong enough to start that chat.

Maybe I’m afraid to see how scared they really are; or how they’re not scared at all? Maybe I’m just afraid of not being steady. I cried making the speech at my best friend’s wedding reception. She caught it on tape. I’m still mortified by that moment.

How do you tell someone living how much you love them and how much you’ll hurt when they’re gone? You expect them to say something like- “I’m not dead yet” and then you feel like an ass. I hate myself right now because they’re here, they’re not gone yet and I’m grieving when I should be celebrating; when I should be embracing whatever time they are here. My mom is 70-something (she’d kill me if I revealed the number), my dad, 82. This year we are celebrating their 50th wedding anniversary in Club Med Punta Cana. Last September, I had them running, er, walking all over Epcot, Hollywood Studios, Universal and the Magic Kingdom during a week in Orlando with Sage. People live to 100 these days, right? And if anyone can do it these tech-savvy jetsetters can.

Sometimes I think I’d like to go first and then there’d be no suffering, no emptiness, no pain 100 times worse than a boyfriend ditching you. I’m selfish but not that selfish. My parents don’t deserve to feel what I’m terrified to feel. Neither does Sage. She needs her parents for her own eternity and I would never want her to want to die before me. I just have to grasp that what will evolve is part of life; inescapable, tragic and tearful. That we did all we could do- are doing all that we can- for this temporal existence and nothing was missed.

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